Let’s flow! Join Gwen Lewis of Black and Breathing for a free one-hour Vinyasa yoga class at Drexel Square. Classes encompass developing core strength, enhancing body balance, and expanding flexibility along with range of motion. Open to all levels. Registration encouraged, but not required. BYO: Mat, towel, water, and sunscreen.
The Winter 2025 term of Singing for Busy Adults will be held January 27 through March 24, Mondays at 6pm. Take advantage of this opportunity to develop your vocal skills in an informal and supportive atmosphere. The class focuses on posture, breath control, tone production, diction, and the development of basic musicianship skills. Register NOW! […]
Get a wee bit lucky when you grab a pint (well, technically a half liter) and join us on Monday, March 10th for another night of improv comedy at Brauhaus Schmitz! This month's lineup includes: - Hot 'n' Fresh - (in space) - Jesse and Joe - Just a Girl Doors open at 6:30 and […]
The Winter 2025 term of Beginning Piano for Busy Adults Classes will be held January 28 through March 25, Tuesdays at 6pm. If you once played the piano or you're just dying to learn, here's your chance. Playing in our newly renovated and updated piano lab, learn basic rhythms, chords, note names and musical forms. […]
Museum for Art in Wood presents “Katie Hudnall: The Longest Distance between Two Points,” the first museum-organized solo presentation of fine woodworker Katie Hudnall’s unique and captivating work. The exhibition features a series of sculptural works and a large-scale interactive installation created from salvaged wood that captures Hudnall’s eye for the absurdly mechanical and uncanny. […]
Do you want to get creative with your young child anges 2-4? Are you looking for one last activity before bedtime? Come to MS Amy’s Art Class. She will instruct you on an art project that you and your child can do together. All materials are supplied.
Museum for Art in Wood presents “Katie Hudnall: The Longest Distance between Two Points,” the first museum-organized solo presentation of fine woodworker Katie Hudnall’s unique and captivating work. The exhibition features a series of sculptural works and a large-scale interactive installation created from salvaged wood that captures Hudnall’s eye for the absurdly mechanical and uncanny. […]
Every Wednesday 5-6:30pm, MS Amy hosts teen Art class. This class is for creative teens to meet and be social. Every week, MS Amy will plan a project for all skillsets. The teens will make art while talking, laughing, and listening to music. They will learn different art and craft techniques such as 3D construction, […]
Welcome to "Figure It Out: Basics of Figure Drawing," your four-session workshop into the wonderful world of visual art! Whether you can barely draw a stick figure or you're already doodling masterpieces, this class is designed to empower you to capture the human form with flair and confidence. In the first session, we'll break the […]
Want to live a cleaner, more sustainable lifestyle and make the neighborhood more beautiful? Join us for a sustainability-focused Happy Hour in Olde Richmond. 
Connect with neighbors, grab a drink, and discover easy ways to make your community greener. Meet local sustainability experts, learn about free street trees, green stormwater solutions, and neighborhood beautification […]
de>crescendo: Trusting Our Dynamic Selves Through Change is a trauma-informed workshop exploring music and embodied sound as tools for resourcing ourselves through change, facilitated by Mel Hsu, in partnership with Bartol Foundation. Vocal, percussive and movement exercises will be offered, but no musical experience is required. Bodies of all abilities are encouraged to register. Content most […]
Museum for Art in Wood presents “Katie Hudnall: The Longest Distance between Two Points,” the first museum-organized solo presentation of fine woodworker Katie Hudnall’s unique and captivating work. The exhibition features a series of sculptural works and a large-scale interactive installation created from salvaged wood that captures Hudnall’s eye for the absurdly mechanical and uncanny. […]
